Need an extra Tshirt? You can now grab all CDs, Downloads and merch from Angelspit’s webstore. All items ship June 6. Remember to take advantage of the $1 shipping on US orders over $60, Canadian orders over $80, EU/UK/AU orders over $100. Get them here:
http://angelspit.myshopify.com/collections/cult-of-fake
Angelspit has signed with Negative Gain Productions at its headquarters in Chicago. The new deal adds Angelspit’s new album, CULT OF FAKE , to Negative Gain’s already strong roster of bands, including The Gothsicles and Mr. Kitty.
Made popular for its driving industrial sound, Angelspit sees the new partnership as a perfect match. “Negative Gain pushes dance acts with an alternative edge, and our new album will fit right in,” says Zoog Von Rock. Already funded by Kickstarter, the album will receive the widespread push it needs thanks to Negative Gain.
“We are always looking at new ways to add great music to our already diverse roster of great artists,” added Roger Jarvis, co-founder of Negative Gain. “You are going to love this album just as much as we do!”
Cult of Fake is Angelspit’s sixth studio album, due June 6, 2016 through Negative Gain. The album uses the harsh industrial percussion sampled from Angelspit’s early albums, now mixed with club destroying beats. Kickstarted by the fans, Cult of Fake is Angelspit’s first album to focus on dance music without sacrificing its established sound.
> PURCHASING INFO FOR “CULT OF FAKE”
> NEGATIVE GAIN’S WEBSITE
> LISTEN TO PREVIEW TRACKS FROM “CULT OF FAKE”
> MORE INFORMATION ABOUT “CULT OF FAKE”
CULT OF FAKE is our 6th studio album. It’s due June 6, 2016 – the ten year anniversary of the release our first full length album, KRANKHAUS.
Musically, CULT OF FAKE uses many of the original sounds from Nurse Grenade, Krankhaus and Blood Death Ivory – the harsh clangs and slams sampled in those early days. This time we’ve done something different – we’ve mixed brutal sonic mayhem with club destroying beats. CULT OF FAKE is our first dance album…and it SLAMS!
The lyrics are political – inspired by conversations with you after shows, at clubs or online. Your input has shaped CULT OF FAKE!
CULT OF FAKE is released on June 6th, 2016. Pre-sales are available NOW…see what you can get:
GET IN ANGELSPIT’S NEW MUSIC VIDEO
Deadline April25, 2016
Grab a friend, this will only take an hour (Video your friend while your at it!) Shoot it on your phone then send it to us by April 25.
It’s important to shot these in landscape, so have your phone on its side.
We need 5 shots:
1) A video of you taking a selfie in front of a landmark.
2) Acquiring money – putting it into your wallet or purse.
3) Spending money – taking money from your wallet
4) Feeling sick, eating money
5) Vomiting black fluid and money
You will also need to fill in the disclaimer – grab it here:
http://www.angelspit.net/newsletter/120/angelspit_video_release_form.pdf
Remember to shoot it in landscape.
Once your done, send the files and the disclaimer via WeTransfer to devil@brainwomb.com
Got questions? Email Angelspit: management@angelspit.net
Deadline April25, 2016
ROCK!
ANGELSPIT.NET
This Frequency Divider outputs +/-5volt signals 1 and 2 octaves below the input frequency – similar to a Roland SH-101.
It has an adjustable Pulse Width which is output at the original frequency, -1 octave and -2 octave.
Since all outputs are +/-5volt it can be used to drive CV inputs.
It also mangles regular audio which is effected by the adjustable Pulse Width – AND outputs the mangled audio as +/-5volt…so you can use this to inject some mayhem into your modular’s CV inputs – this thing ROCKS!
Visit STG SOUNDLABS for more information.
>> WATCH VIDEO
This sturdy and compact mixer is great for audio and CV. It’s clean, yet can be driven to distortion easily is desired. It’s bipolar output makes it great for using with Control Voltages.
Visit STG SOUNDLABS for more information.
>> WATCH VIDEO
Lolita from our Forum asked me this question:
http://krankhaus.net/forum/index.php?topic=11171.0
Um, basically, how do you keep your songs sounding original? Even if you listen to diverse range of music, how do you keep your songs sounding like your own?
Like, whenever I try to write a song I’ll come up with a cool bass line(because the bass is my main instrument), then stop and realize, ‘oh damn, that sounds just like that Marilyn Manson song or that Emilie Autumn song.’ And I’ll try re-arranging it, but I’m always afraid that I’ll write something great then realize too late that it sounds just like another song. Or I’ll not realize it at all and publish the song, then later get a bunch of people accusing me of copying a part of someone’s song.
Roland SH-101 (Wall Mounted, Bad Paint Job)
Brand: Roland
Model: SH-101
Link: http://www.vintagesynth.com/roland/sh101.shtml
BLURB:
This is my oldest synth!!! It was the second synth I purchased.
The custom paint job was allegedly done by FRANKIE KNUCKLES (!!!) during the early 90s at a bush rave (Doof) near Byron Bay – back in the day when “Raves” and glow sticks were cool. This horrible paint job also acts as insurance…no-one wants to steal it.
I’m on an (insert “old and established” artist here) binge. Everything from his first demos to the latest stuff – nearly 30 years of amazing music. His old stuff is raw, experimental, full of mistakes, poor production and AWESOME.
His new stuff is clinically brilliant, but lacks something. Like he’s lost that edge that comes with learning, making mistakes and not giving a f*ck.
Don’t get me wrong, i think the guy’s brilliant and he’s been a profound influence on me and millions of others.